Adam Green is a triple threat: a musician who formed one half of the anti-folk stalwarts Moldy Peaches (if you didnât know them in early-aughts New York, you might have heard their music in the feature film Juno), an artist who has shown his artwork at venues from Stockholm to New York, and a filmmaker whose 2011 debut release, The Wrong Ferarri (sic), was shot entirely on his iPhone. Moldy Peaches are known for off-color hits like âDownloading Porn With Davoâ and âWhoâs Got the Crack,â while Greenâs artwork draws equally on historical expressionist painting, the geometric modernism of De Stijl, and a cartoon aesthetic.
