Mirko Reisser (Daim) concentrates on four letters to push personal and visual boundaries in his highly stylized three dimensional writing. Daim's programme comprises the construction, as well as de-construction of a word. At some point, in between the processes of annealing and erasure, it emerges out of a synaesthetic sphere and reveals that it came into being out of nothingness and is always on the verge of disappearing into it again. Daim-graffitis can be seen as fixed images of a word-formation that is constantly threatening to reassemble, denying access, escaping the demands of tangibility and, thereby, remains free and sovereign
