Dimension (x,y,z):
18.00 x 14.00 inches(45.72 x 35.56 cm) Original Price: 75.00USD Run: 50
Edition Size: 50
18 x 14 Inches
Archival Pigment Print on 290gsm Moab Fine Art Paper
"This piece is one of two paintings that feature a figure with "tattoos" of work by artist Masami Teraoka, who has always been one of my favorites. I've always thought Teraoka's work would make great tattoos, but often 2d artwork doesn't translate very well on a body unless it's created specifically for it. But here I can flatten out the work, and set things up as if it only needs to look good at one angle which it does, because it's a painting.
I've always stayed away from painting tattoos, even if the models had them mostly because it really tilts things toward the modern. And I was always weary of straying into the territory of Shawn Barber and other artists that frequently use tattoos as part of their work.
The tattoos on the two pieces in the series mark the only time I've tried my hand at anything remotely in the style of ukiyo-e, even if they are essentially reproductions. This is significant to me because Ukiyo-e paintings and prints played a good part in what got me into art in the first place. I love the style but have always felt it off limits to a white guy from California. There are non-Japanese artists that can certainly pull it off, but I always felt like I wouldn't do it justice and shouldn't really. So these pieces were kind of a way to get it out of my system a bit, while keeping it in a realm I was more comfortable with." - Aaron Nagel
Sales history
Hand-Embellished
Dimension (x,y,z):
24.00 x 19.00 inches(60.96 x 48.26 cm) Original Price: 250.00USD Run: 10
Edition Size: 10
24 x 19 Inches
Hand-Embellished Archival Pigment Print on 290gsm Moab Fine Art Paper
"This piece is one of two paintings that feature a figure with "tattoos" of work by artist Masami Teraoka, who has always been one of my favorites. I've always thought Teraoka's work would make great tattoos, but often 2d artwork doesn't translate very well on a body unless it's created specifically for it. But here I can flatten out the work, and set things up as if it only needs to look good at one angle which it does, because it's a painting.
I've always stayed away from painting tattoos, even if the models had them mostly because it really tilts things toward the modern. And I was always weary of straying into the territory of Shawn Barber and other artists that frequently use tattoos as part of their work.
The tattoos on the two pieces in the series mark the only time I've tried my hand at anything remotely in the style of ukiyo-e, even if they are essentially reproductions. This is significant to me because Ukiyo-e paintings and prints played a good part in what got me into art in the first place. I love the style but have always felt it off limits to a white guy from California. There are non-Japanese artists that can certainly pull it off, but I always felt like I wouldn't do it justice and shouldn't really. So these pieces were kind of a way to get it out of my system a bit, while keeping it in a realm I was more comfortable with." - Aaron Nagel
