DogStreets

The October March 17

Edition(s)

3D Edition

Dimension (x,y,z): 24.00 x 42.00 Inches(60.96 x 106.68 cm)
Original Price: 350.00 USD
Run: 150
Markings: Signed & Numbered

Archival inkjet (giclée) Anaglyphic 3D print on Moab Entrada 290gsm Cotton Rag. Printed with Epson Ultrachrome Pro ink. Embossed, numbered and signed by the artist. Comes with 2 custom 3D Anaglyphic (red/cyan) paper eye glasses.
Sales history

Anaglyphic 3D

Dimension (x,y,z): 24.00 x 42.00 inches(60.96 x 106.68 cm)
Original Price: 350.00 USD
Run: 150

Edition of 150 Dimensions: 24" x 42" Archival inkjet (giclée) Anaglyphic 3D print on Moab Entrada 290gsm Cotton Rag. Printed with Epson Ultrachrome Pro ink. Embossed, numbered and signed by the artist. Comes with 2 custom 3D Anaglyphic (red/cyan) paper eye glasses. Each print is embossed with a custom design made just for this release. This print is based on an original painting from Tristan Eaton's 'UPRISE' Solo art show at Galerie Itinerrance in Paris, France in 2017.
Sales history

Print Edition

Dimension (x,y,z): N/A
Run: 50
Markings: Signed & Numbered

"In 1789, an angry mob of nearly 7,000 working women marched in the rain from Paris to Versailles in what was to be a seminal point in the French Revolution. The Revolution had begun two months earlier, but neither the Storming of the Bastille, the “Great Fear”, the August Decrees or the “Declaration of the Rights of Man and the Citizen” had thus far managed to topple France’s seemingly intrinsic Ancien Régime. But the women who set out to Versailles to demand bread were about to change all that, and the very course of modern history. By the time the women reached Versailles, their rage was focussed almost solely on Marie Antoinette – whose misattributed response to the plight of the breadless and starving peasants, “let them eat cake”, was nevertheless a wholly accurate indication of her cluelessness. The women assembled in the palace courtyard and demanded to see the Queen. The women thenceforth demanded that King Louis XVI distribute the bread that the palace had hoarded, sanction the August Decrees and the Declaration of the Rights of Man and of the Citizen, and accompany them back to Paris to see for himself the plight of his subjects. The King had no choice but to agree to the terms. The next day, Louis and Marie Antoinette became prisoners of the Third Estate, or the “common people”, until their respective executions in 1791. The Women’s March brought to an end the great monarchy of Versailles. But, of even greater significance, it forever transformed the role of women in revolution and what political gains they could expect for themselves. What immediately followed these events amounted to nothing less than a sub-revolution for the women of France. In the wake of their extraordinary success, they quickly began to organise – and just one month after the March on Versailles, they would present to the new National Assembly a groundbreaking demand for gender equality." -- Eaton

XL 3D

Dimension (x,y,z): 35.00 x 60.00 inches(88.9 x 152.4 cm)
Original Price: 1500.00 USD
Run: 20

Edition of 20 Dimensions: 60" x 35" Archival inkjet (giclée) Anaglyphic 3D print on Moab Entrada 290gsm Cotton Rag. Printed with Epson Ultrachrome Pro ink. Numbered and signed by the artist. Comes with 2 custom 3D Anaglyphic (red/cyan) paper eye glasses. This print is based on an original painting from Tristan Eaton's 'UPRISE' Solo art show at Galerie Itinerrance in Paris, France in 2017.
Sales history

XL 3D Edition

Dimension (x,y,z): 35.00 x 60.00 Inches(88.9 x 152.4 cm)
Original Price: 1500.00 USD
Run: 20
Markings: Signed & Numbered

First released at Tristan Eaton's Dead Press print event in Miami during Art Basel 2018 Archival inkjet (giclée) Anaglyphic 3D print on Moab Entrada 290gsm Cotton Rag. Printed with Epson Ultrachrome Pro ink. Embossed, numbered and signed by the artist. Comes with 2 custom 3D Anaglyphic (red/cyan) paper eye glasses.
Sales history

OG Edition

Dimension (x,y,z): 42.00 x 72.00 Inches(106.68 x 182.88 cm)
Markings: Signed

"In 1789, an angry mob of nearly 7,000 working women marched in the rain from Paris to Versailles in what was to be a seminal point in the French Revolution. The Revolution had begun two months earlier, but neither the Storming of the Bastille, the “Great Fear”, the August Decrees or the “Declaration of the Rights of Man and the Citizen” had thus far managed to topple France’s seemingly intrinsic Ancien Régime. But the women who set out to Versailles to demand bread were about to change all that, and the very course of modern history. By the time the women reached Versailles, their rage was focussed almost solely on Marie Antoinette – whose misattributed response to the plight of the breadless and starving peasants, “let them eat cake”, was nevertheless a wholly accurate indication of her cluelessness. The women assembled in the palace courtyard and demanded to see the Queen. The women thenceforth demanded that King Louis XVI distribute the bread that the palace had hoarded, sanction the August Decrees and the Declaration of the Rights of Man and of the Citizen, and accompany them back to Paris to see for himself the plight of his subjects. The King had no choice but to agree to the terms. The next day, Louis and Marie Antoinette became prisoners of the Third Estate, or the “common people”, until their respective executions in 1791. The Women’s March brought to an end the great monarchy of Versailles. But, of even greater significance, it forever transformed the role of women in revolution and what political gains they could expect for themselves. What immediately followed these events amounted to nothing less than a sub-revolution for the women of France. In the wake of their extraordinary success, they quickly began to organise – and just one month after the March on Versailles, they would present to the new National Assembly a groundbreaking demand for gender equality." -- Eaton

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